A good week for reading, finished off today by finally being able to give to Kate the signed copy of the Seed Collectors that I got for her back in July. Poor form on my part not being organised and sending it to her sooner, but at least she has it now and I hope it will be enjoyed.
I ended up finishing three books this week - two that I'd already got on the go, and one that I both started and finished yesterday.
The first one was the second instalment of the 'Bill Hodges trilogy' by Stephen King - Finders Keepers, although Bill Hodges (and his sidekicks Holly and Jerome) don't really feature until the second half. However, the story makes enough connections to the first book, and leaves you with the knowledge that Mr Mercedes may be on the mend enough to cause some havoc in book three. There doesn't seem to be any information just yet on when the final book in the series will be out - presumably some time in 2016.
The second one was Straight White Male by John Niven, a new author for me, and one I only found due to browsing in Waterstones, seeing his new hardback book (The Sunshine Cruise Company), thinking that it sounded interesting, and then investigating what else he had. Straight White Male was excellent. Caitlin Moran's comment on the cover does a great job of summing things up - "I cried three times and laughed fifty. Magnificent." Kennedy Marr is a difficult guy to like at times, but by the end you are absolutely rooting for him.
The final book, devoured yesterday, was the new James Bond book, this time written by Anthony Horowitz, 'Trigger Mortis'. Set just after the events of Goldfinger, and kicking off with a rather awkward after the adventure domestic arrangement with Pussy Galore, Bond soon gets into some new scrapes in Formula One racing - an idea supplied directly by Ian Fleming himself and which his literary estate provided to Horowitz. Clearly Horowitz felt that this wasn't enough to sustain the novel (fair enough given that Fleming had put it forward as an idea for a Bond TV series - never made), and so segues into a plot concerning the space race between the US and Russia, with the British spy stepping in to save the day. Good stuff, and very much out of the Fleming mould.